Scottish Colourists in London sale

Samuel John Peploe, The House in the Woods
Samuel John Peploe, ‘The House in the Woods’, oil on panel, Estimate £70,000-100,000

Sotheby’s is to offer a collection of Scottish Colourists’ works from the private collection of Major Ion Harrison formed during the 1920s and 1930s.

Harrison was a patron and close friend to many of the Colourist’s finest painters, including George Leslie Hunter, Samuel John Peploe, Francis Campbell Boileau Cadell and John Duncan Fergusson. The Harrison Collection comprises paintings, watercolours and drawings from these leading exponents, and will be presented in a single-owner sale as part of Sotheby’s Modern British Art Week on June 12.

Passed down through the family, the works remained together at Croft House, Major Harrison’s home where he openly welcomed the Colourists.

About the collector

Major Ion R. Harrison, a Glasgow ship owner, first encountered the work of the Colourist artists in 1921 when, encouraged by his friend Dr Thomas John Honeyman, later Director of Glasgow Art Gallery, he attended an exhibition at ‘Alex. Reid & Lefevre’ on West Street in Glasgow of paintings by Samuel John Peploe.

It would be three more years before Harrison purchased his first work by Peploe, swiftly followed by a number of

Francis Campbell Boileau Cadell
Francis Campbell Boileau Cadell, The Pink Azaleas, oil on canvas, Estimate £250,000-350,000

paintings by George Leslie Hunter. Not long after Harrison purchased his first painting by Cadell, The Pink Azaleas which became a particularly cherished painting in the collection.

Ion Harrison’s recollections of the Colourists are elegantly recorded in a chapter at the end of T.J. Honeyman’s Three Scottish Colourists (Edinburgh, 1950) poignantly titled As I Remember Them. It is this close personal relationship between Harrison and the artists that gives the collection such a sense of immediacy.

The pictures in the Harrison Collection represent such a broad range of styles, subjects and dates by all of the four Colourists that they present an opportunity to assess the differing influences and themes that link them together or contrast them.

The Scottish Colourists

The term ‘Scottish Colourists’ has now become inextricably associated with the work of Cadell, Fergusson, Peploe and Hunter, but the moniker was only coined in 1948 when three of the four were already dead.

George Leslie Hunter, Houseboats, Loch Lomond
George Leslie Hunter, Houseboats, Loch Lomond, oil on canvas, Estimate £150,000-250,000

The Colourists were arguably the most avant-garde British artists of their day, and whilst they were Scottish by birth, their brightly-hued still-lifes, shimmering interiors and vibrant landscapes, are essentially French in spirit. The spark of their artistic inspiration had been found in Paris at the turn of the twentieth century – a time when the city fizzed with modernity and artistic expression.

In the summer of 1924 all four Colourists exhibited their works together for the first time, in an exhibition entitled Les Peintres de l’Ecosse Moderne at the Galerie Barbazanges in Paris. By this time the artists had reached their maturity but they continued to seek new subjects for their art and to be influenced and inspired by contemporary art.

Croft House

Thomas Podd, Sotheby’s Scottish Art specialist said that visiting Harrison’s home, Croft House, for the first time was experienced that will live long in the memory. “Crossing the threshold and walking into the elegant reception

The Drawing Room Croft House - Scottish Colourists
The Drawing Room, Croft House, 1934, oil on canvas, Estimate £200,000-300,000

hall, one was greeted with Cadell’s masterpiece The White Room and its harmonious tones of white and grey punctuated with flashes of dazzling colour.

“Through the hallway, lined with watercolours by Hunter filled with Provençal warmth, and into drawing room, one’s eye was instantly drawn to Cadell’s The Drawing Room, Croft House, hanging in the very same room it depicts, with the majority of furniture and artworks unchanged some eighty years later.

“It is hard to imagine a work that encapsulates so perfectly the spirit of an entire collection. With its balanced composition and sophisticated application of colour, the painting is not only the ultimate Colourist statement, but it speaks also about the collector and his friendship with the artists whose works lined the walls of his beautiful home.”

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